Toutes peintures ā l'huile d'Corrado Giaquinto
ID Image Painting(From A to Z)    Details 
1474  
Corrado Giaquinto, Justice and Peace
  		  Justice and Peace   1759-60 Museo del Prado, Madrid
30009  
Corrado Giaquinto, Birth of the Virgin
  		 Birth of the Virgin   mk67 Oil on canvas 28 3/8x40 9/16in Uffizi,
70660  
Corrado Giaquinto, Justice and Peace
  		 Justice and Peace   Medium Oil on canvas Dimensions 216 x 325 cm
43284  
Corrado Giaquinto, Moses Striking the Rock
  		 Moses Striking the Rock   mk170 1743-1744 Oil on canvas 136.5x95cm
79023  
Corrado Giaquinto, Portrait of Farinelli
  		 Portrait of Farinelli   1753(1753) Medium Oil on canvas cyf
1475  
Corrado Giaquinto, Saints in Glory S
  		 Saints in Glory S   1755 Museo del Prado, Madrid
42055  
Corrado Giaquinto, The birth of the Virgin
  		 The birth of the Virgin   mk166 1753 I Wave sbre cloth 72x103cm Uffizi, Florence
43283  
Corrado Giaquinto, The Brazen Serpent
  		 The Brazen Serpent   mk170 1743-1744 Oil on canvas 136.5x95cm
66448  
Corrado Giaquinto, The Holy Spirit
  		 The Holy Spirit   Oil on canvas 64 x 48 cm 1750s
68384  
Corrado Giaquinto, Tobias and the Angel
  		 Tobias and the Angel   c. 1740 Oil on canvas 58 x 48 cm
Corrado Giaquinto
1703-1766 Italian Corrado Giaquinto Galleries He was born in Molfetta. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667-1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with his contemporaries Francesco de Mura (1696-1784) and Giuseppe Bonito (1707-1789), he trained from 1719-23 in the prolific Neapolitan studio of Francesco Solimena, either with Solimena or his pupil, Nicola Maria Rossi. Throughout his life, Giaquinto was a peripatetic painter, with long sojourns in Naples, Rome (between 1723-53), Turin (1733 and 1735-9), and Madrid (1753-1761). In 1723, he moved to Rome to work in the studio of Sebastiano Conca. He painted in San Lorenzo in Damaso, San Giovanni Calibita, and the ceiling at Santa Croce in Gerusalemme. In March 1727, with Giuseppe Rossi as an assistant, Giaquinto opened an independent studio near the Ponte Sisto, in the parish of Saint Giovanni of the Malva in Rome. In 1734, he married Caterina Silvestri Agate. The first documented work by his hand is Christ crucified with the Madonna, Saint John Evangelist, and Magdalene commissioned in 1730 by king John V of Portugal for the cathedral of the Mafra. In 1731, he received a prestigious commission, to execute frescoes in the church of San Nicola dei Lorenesi: Saint Nicholas water gush from cliff, three theologic and cardinal Virtues, and in the cupola Paradise. The latest restoration confirms Giaquinto stylistic independence from Solimena, and reveals his stylistic dependence on Luca Giordano.



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